资料来源(第2/26页)
欧洲外交官们没有多少值得自豪的作为:参见兰格《帝国主义外交》。William L Langer,The Diplomacy of Imperialism(New York:Knopf,1951),704.
其他事情也有了改变:战争法则:参见《林肯守则:美国战争法史》、《弗朗西斯·利伯:19世纪的自由主义者》。John Fabian Witt,Lincoln’s Code:The Laws of War in American History(New York:Free Press,2002);Frank Freidel,Francis Lieber:19th Century Liberal(Baton Rouge,LA:Lousiana State University Press,1947),a biography of the German-American legal scholar who drafted Federal Law 100 as signed by Lincolin.
毫无疑问,那种公然破坏艺术的行为应受到谴责:参见《围攻北京》。Peter Fleming,The Siege at Peking(New York:Harper,1959),242。
《纽约时报》发自北京的报道也是如此:见《北京带给艺术博物馆的礼物》,1901年9月3日《纽约时报》“Gift from Beijing for Museums of Art,”NYT,September,3,1901。
还有更多的迹象表明,人们的道德观念正发生改变:2009年的“伊夫·圣洛朗(Yves St.Laurent)珍藏”等一系列拍卖活动被广泛报道;特别有意思的包括:《中国买家拍下被盗文物后拒绝付款》,2009年3月2日《人民日报》;《中国买家不能、不会为伊夫·圣洛朗兽首付款》,2009年3月2日《泰晤士报》。“Chinese Bidder of Looted Sculptures Refuses to Pay,”People’s Daily,March 2,2009;and Jane Macartney,“Chinese Bidder Can’t Pay,Won’t Pay,for YSL Statues,”The Times(London),March 2,2009.
新闻:参见《中国艺术抢劫震惊挪威》等报道。“Chinese Art Heists Shock Norway,”Secret History of Art online,January 8,2013;Katy Pickett and Helen Burchell,“FitzWilliam Museum Chinese Art Thefts,”BBC News,September 27,2012;“Break in Stockholm Royal Palace,”The Local,August6,2010;“UK Police:2 Arrested Over Chinese Art Theft,”Huffpost Arts&Culture,February 10,2013;plus a swarm of related online news reports.
第二章 太平洋序曲
美国的贸易处于受限制状态:参见《1785年至1835年中国出口美国市场的瓷器》。Jean McClure Mudge,Chinese Export Porcelain for the American Market,1785-1835,(Newark:University of Delaware Press,2 nd edition,1981),35.The Pennsylvania Packet noted:ibid.,25.
并享有与英国商人同等的最惠国待遇:参见《顾盛与望厦条约》,1933年5月《近代史杂志》。Kuo Ping Chia,“Caleb Cushing and the Treaty of Wanghia,1844,”Journal of Modern History,Vol.5:1(March 1933),34.
蓝色少将大衣,鎏金扣,附加少许刺绣:参见《中国鸦片战争》等。Jack Beeching,The Chinese Opium Wars(New York:Harcourt Brace Jovanovich,1975),174.See also Teemu Ruskola,“Canton Is Not Boston:The Invention of American Imperial Sovereignty,”American Quarterly,Vol.57:3(September 2005),870.
允许基督教范围以外的政府对美国公民的生命、财产有任何控制,都属于不明智行为:参见《顾盛的一生》。Claude M.Fuess,The Life of Caleb Cushing(New York:Harcourt Brace,1923),Vol.1:438~439.
一定数量的鸦片走私活动仍在继续进行:参见《马萨诸塞海事史:1783~1860》。Samuel Eliot Morison,A Maritime History of Massachusetts,1783-1860(Boston:Northeastern University Press,1979),279.
波士顿与旧中国进行贸易的痕迹已荡然无存:同上。
世界最古老、人口最多的中国的景象、农业、艺术、贸易、习俗和习惯:Boston Atlas,January 1,1847,Quoted in Ronald J.Zboray and Mary Saracino Zboray,“Between‘Crockery-Dom’and Barnum:Boston’s Chinese Museum,1845-1847,”American Quarterly,Vol.56:2(June 2004),272.
似乎还编写了博物馆的展览图录:同上,274.
阁下肯定知道:参见顾盛文件,引自《中国的传奇》。Cushing Papers,Folder 15~24 July 1844,Box 45,quoted in Haddad,The Romance of China:Excursions to China in U.S.Culture:1776-1876(Gutenberg-e.org,accessedDecember 14,2013),fn 63.
美国艺术及其生产的模型、标本:参见顾盛文件,引自《中国的传奇》。Caleb Cushing Papers,Folder 27~31 May 1843,Box 39,Manuscript division,LOC,quoted in Haddad,The Romance of China.
关于狄金森:Hiroko Uno,“Emily Dickinson’s Encounter with the East:Chinese Musesum in Boston”,Emily Dickinson Journal,Vol.17:1(2008),52~53;Zboray and Zboray,“Between‘Crockery-Dom’and Barnum:Boston’s Chinese Museum,1845-47,”276;Emily Dickinson to Abiah Root,September 8,1846,in The Letters of Emily Dickinson(Cambridge,MA:Belknap Press of Harvard University Press,1986),36.
万物源于无,将再次归于无:引自《狄金森邂逅东方》。Peters catalogue,47~48,quoted in Uno,“Emily Dickinson’s Encounter with the East:Chinese Museum in Boston”,58~59.
他的思绪如东方织物:见《艾米莉·狄金森诗全集》诗1446。verse 1446 in Thomas H.Johnson,ed.,Complete Poems of Emily Dickinson(Boston:Little Brown,2001),614~615.